What was it about? Well, for one thing, it seemed to be about deflating the myth of Roddenberry. It was subtle, but near the end he was essentially dismissed as a failed producer who'd been a brilliant writer on TOS.

Roddenberry's universe really was wacko-doodle, or wacky-doodle, or whatever Hurley kept saying over and over. Or maybe I've just become more dystopian in my old age. I find "Elysium" a more plausible future, though I admit every once and a while I like to take a refreshing dip in Roddenberry's universe and soak my brain in it for 45 minutes to escape this one. He'll always have that.