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Sample:

The characteristic theme of the works of Gibson is the bridge between class and sexual identity. The subject is interpolated into a Derridaist reading that includes art as a paradox.

“Consciousness is impossible,” says Marx. But in Mona Lisa Overdrive, Gibson examines neotextual narrative; in All Tomorrow’s Parties, although, he affirms dialectic discourse. Lyotard uses the term ‘the subdialectic paradigm of reality’ to denote not narrative, but postnarrative.

In a sense, the subject is contextualised into a dialectic discourse that includes reality as a totality. Many appropriations concerning the difference between society and sexual identity may be revealed.