So, unless the artist is already wealthy and keeps what he produces or has a patron who collects, displays and stores a considerable portion of his art, sales are important, because it gets the stuff out there.
We only have fractional bits of many ancient Greek plays. The reason we have any at all is dispersal. Enough people thought them valuable enough to keep. The same can be said of graphic art and sculpture, though in the case of those formats, there can be no genuine copies unless we're talking molds or prints. So: a piece in New York, a piece in Carson City, a piece in Racine, a piece in Seattle, a piece in Savannah... One or two of those has fairly good odds at survival.
You don't have to pay a lot for a piece of art to preserve it for later consideration. It's not how well it sells, but that it sells at all.
Off Topic » in reply to re: Only genius survives.
No one can remember art that isn't preserved.
The whole thread (82 posts)
- Anyone seen the new Mel Gibson flick
- As soon as it comes out here I will. . .
- interesting, balanced article - recommended
- $200 million plus, and counting... (n/t)
- Reality check: what DOES qualify as "art" to the cultural elite
- Graphic violence
- The Passion
- please clarify
- re: please clarify
- partially but not completely clarified
- Translation for Daniel: Tom decides (n/t)
- - yes .. and I wonder if he's also decided that I'm part of the 'asshat avalanche' and hence not worth engaging with? (n/t)
- re: please clarify
- re: Anyone seen the new Mel Gibson flick
- Richard Corliss of Time Magazine
- We need less Passion and more Life of Brian (n/t)
- Another opinion, from someone who's seen it twice
- I think it has a surprise ending
- No, though I know some people who have.
- dis-Passion-ate
- re: Anyone seen the new Mel Gibson flick
